Public Address is a series of five unique prints that draws from the long tradition of the political broadside—single-sheet works designed to speak urgently and directly to the public. Using contemporary newspapers as both material and ground, the prints interrupt the authority of the printed page with bold, overlaid language that refuses neutrality. Peace and No operate as competing declarations, echoing the visual grammar of protest posters, handbills, and street-distributed prints. Rather than functioning as illustration, each print acts as an intervention—reclaiming print as a democratic tool meant for circulation, disruption, and public encounter rather than quiet consumption.
Public Address is a series of five unique prints that draws from the long tradition of the political broadside—single-sheet works designed to speak urgently and directly to the public. Using contemporary newspapers as both material and ground, the prints interrupt the authority of the printed page with bold, overlaid language that refuses neutrality. Peace and No operate as competing declarations, echoing the visual grammar of protest posters, handbills, and street-distributed prints. Rather than functioning as illustration, each print acts as an intervention—reclaiming print as a democratic tool meant for circulation, disruption, and public encounter rather than quiet consumption.
2025
19” H x 11” W (48.26 x 27.94 centimeters)
Letterpress, relief print on newspaper
